Archive for August, 2010

Emmys Afterglow: First timers, Streakers…and Bucky Gunts!

In past years, when people would ask what the best part of a particular Emmy Awards telecast was, one would be hard-pressed to come up with a suitable answer. The Academy of Television Arts and Sciences has spent years cultivating a reputation for giving us badly hosted telecasts that are often too long, poorly organized and just plain boring.

But last night’s broadcast of the 62nd Primetime Emmy Awards satisfied on nearly all fronts…unless you happen to be a Lostie or a Gleek. Fans of other great TV shows – and George Clooney, who unexpectedly showed up in a filmed comedy bit as well as to accept the Bob Hope Humanitarian Award – had a lot to be excited about. Best of all, people who love awards shows of all stripes were likely thrilled by Jimmy Fallon‘s tremendous hosting skills, starting with his performance the cheerful, hilarious “Glee”-themed cold open, set to Bruce Springsteen’s “Born to Run.”

Let’s break it down.

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Emmys Countdown: A Few Good Wins

Jimmy Fallon hosts the Primetime Emmy Awards

If awards telecasts could be compared to holidays, the Emmys would be akin to a secular celebration of Easter. The award show usually heralds the beginning of a new television season, which traditionally starts the day after the Emmys broadcast –  in years in which the show airs in mid-September. (It’s early this year.)

Fans of some series will go to sleep happy, their shows having received the award equivalent of baskets of candy. For at least one more year they will believe in the ATAS voters with the same magical faith they once reserved for a gigantic rabbit.  Heck, we may even get a delicious ham, if Jimmy Fallon does a good job of hosting.

Good, bad, and ugly, we’re covering everything Emmy-related leading up to event in our Road to the Emmys section culminating in our live coverage of the 62nd Annual Primetime Emmy Awards on Sunday.

Check our homepage at 4 pm PT/7pm ET to enjoy the red carpet spectacle. Then, beginning at 5pm PT Sunday, the IMDb homepage becomes the headquarters for all things Emmy, including a constant stream of photos as they become available and real-time updates of the winners. You can also join us on Twitter at @IMDbTV.

No matter who wins or loses on Sunday, we can take comfort in a few worthwhile victories awarded last Saturday at the low-key Creative Arts Emmys ceremony.   Betty White, for example, won an Emmy for Best Guest Actress in a Comedy for her historic hosting of “Saturday Night Live.”  No doubt her howling of the phrase “wizard of ass!” during a scared-straight skit sealed the deal.

Also proving there is justice in the TV universe was John Lithgow‘s Best Guest Actor in a Drama win for his bone-chilling turn on the fourth season of “Dexter.” So brilliant was Lithgow’s performance that the producers decided to forgo having a single “big bad” for the fifth season, because he could not be topped. Lithgow even made a spectacular gaffe and thanked HBO instead of Showtime in his acceptance speech. Ha!

Other notable victories:

Ann-Margret received a standing ovation for her Best Guest Actress in a Drama Series win. She did a fabulous job on “Law & Order: SVU.”

Neil Patrick Harris came up aces in two categories last weekend, winning for his guest star spot in an episode of  “Glee” and returning to the podium to accept the Emmy for the Tony Awards telecast, which won Best Special Class Program.

– “Survivor’s” Jeff Probst won best reality host. (As an aside, all of Chris Harrison‘s contestant-wrangling on “The Bachelor” and “The Bachelorette” should give him a shot at placing in this category next year, wouldn’t you think?)

– And this writer’s favorite li’l Emmy victory? The award for best commercial went to  “The Man Your Man Could Smell Like.” That’s right, Old Spice Man — swan dive!…into an awesome victory for manly men everywhere.

He’s on a horse.

Be sure to join us on Sunday, and remember — you can follow us any day of the week on Twitter for the latest updates on TV news and silliness.

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Day 7: FX, Home of the Unshaven Hero

"Anarchy" at the TCA: Kurt Sutter, Charlie Hunnam, Ron Perlman and Katey Sagal. Credit: Ray Mickshaw

Pretend for a moment that your favorite cable channels are people. The idea isn’t all that weird when you consider that discussing a channel’s brand identity is, in a sense, outlining its personality. HBO, for example, has a closet full of designer suits and couture dresses. AMC also dresses well, but has a hidden life involving hard liquor and drugs.

Then there’s FX. FX has a five o’clock shadow by 10 a.m.  FX is a beer and whiskey drinker, isn’t averse to getting into a scrap now and then, and has a rowdy sense of humor. If you need dirty work done, you call FX. He is the guy you love to hang with, but you’d stop short of inviting him to a formal affair.

That image is both to FX’s benefit and its detriment.  It’s home to some of the brashest, most thoughtfully-written series on television. That tradition began with “The Shield” and lives on with “Sons of Anarchy,” kicking off its third season Sept. 7 at 10.  In January it adds “Lights Out,” a drama about a boxer whose career is in a downward spiral, and “Terriers,” which follows a pair of down-on-their-luck private investigators, arrives Sept. 8.

FX just picked up Louis C.K.’s comedy “Louie” for a second 13-episode season, and is adding “Alabama” to its lineup. The latter take space in space, and was created by “Reno 911‘s”  Robert Ben Garant and Thomas Lennon.

Meanwhile, “It’s Always Sunny in Philadelphia” is getting a syndicated run on Comedy Central, which could set up its sixth season (starting Sept. 16) to be its most successful so far.

FX has hit its stride, in other words. Yet, it’s becoming rarer for FX’s dramas and casts to be invited to the industry’s most glamorous parties.  “Sons’” Katey Sagal nailed her role in season two, and in the springtime, Timothy Olyphant‘s portrayal of “Justified‘s” quietly simmering U.S. Marshal Raylan Givens seemed to be all that anyone could talk about. The fact that neither received an Emmy nod for their performances is a crime.

This is the curse of having great shows on a network most often associated with the words “raw” and “gritty,” terms that make awards voters shy. “Sons”  is about an outlaw biker club. Emmy can’t have that up there with a meth-cooking teacher, a serial killer and vampires, can it?. What would people think?

But FX president John Landgraf seemed unfazed by the snubs as he introduced panels for his network’s fall series on Tuesday. Landgraf considers himself in the business of promoting what he calls the literature of the common man and common woman, and he’s succeeding in that goal.

Look at the names on the network’s roster: Louis C.K., not only a great comedian but an ace comedy writer and director. Kurt Sutter, executive producer of “Sons of Anarchy,” whose story arcs display a fearlessness otherwise absent in the realm of basic cable or, really, anyplace else on TV.

“Boomtown’s” Graham Yost, the formidable brains behind “Justified.” Shawn Ryan, who has the midseason cop drama “Ride Along” coming to Fox in addition to FX’s private eye dramedy “Terriers,” for which he’s joined forces with screenwriter Ted Griffin (Ocean’s Eleven, Ravenous).  In the world of television literature, they are all amazing authors.

So when the cast of “Sons of Anarchy” was asked for reaction to the Emmy snubs, nobody in the room was surprised when a few F-bombs were dropped — but then, none of the cast seemed too broken up about it either.

“Every year when the Emmys are announced, the stories that come out — half the
stories are about the nominations, and the other half of the stories are about the absurdity of the nominations and the snubs,” Sutter told critics. “So to me, perhaps that suggests that the system is somewhat flawed.”

“Yeah,” said Tommy Flanagan, who plays SAMCRO member Filip ‘Chibs’ Telford on the show. “Emmy, shmemmy.”

Read on for more from FX’s Press Tour day.

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Day 6: Fox Still Wily. “Idol” Judge Watch Continues.

Fox Entertainment Chairman Peter Rice answers questions at TCA.

Monday was the day. It was really supposed to happen. Honest, and for reals! Many of us thought — nay, hoped — Fox Entertainment Chairman Peter Rice and Entertainment President Kevin Reilly were going to announce the new judges for “American Idol,” putting to rest all of the speculative burbling in the trades through the weekend.

Jennifer Lopez and Steven Tyler, seated side by side at the judges table, delivering scathing critiques from behind gigantic Coca Cola cups! Can’t you just see it?

Granted, we are not six-year-olds on Christmas morning, convinced that behind that soft, wrapped package of tube socks our parents have hidden a rocket ship. We cover television and are used to keeping our expectations low.

That’s for good reason. Not long after the trades began quoting unnamed insiders swearing J. Lo and Tyler were in there, other reporters slowed their roll by saying the contracts are still being hammered out. And it appears that the T’s had not been crossed, the I’s dotted or the dollar bills counted by Monday morning.

“The only thing I can tell you with absolute certainty right now is that no one has signed a deal yet on either side of the camera to join ‘American Idol’ next year who wasn’t on it last year,” Rice said. “And I know that that is it’s not particularly a fun announcement. It’s certainly not the choice I would have made, but it is the truth as we sit here today. There are no signed deals with anybody.”

Rice added, “I can tell you that much of the information that has been written is accurate. And some of the information that has been written is wildly inaccurate.”

Did he tell us which tidbits were on the money? Even hint at it? Of course not. We came at him from the front, the side, directly and obliquely. We tried through the normally gregarious Reilly. No luck.

“If variations of ‘I’m not going to get into conversations we’ve had with people’ were a drinking game,” one critic tweeted, “TCA members (would) be dead.”

What Rice did say was that when the main audition rounds kick off in September, the judges will be in place and ready to make dreams come true or irreparably crush hopeful spirits.  Meanwhile, Mr. Tyler, currently on tour with Aerosmith, reportedly let a few details slip through his trademark lips over the weekend.

“This beautiful girl from Fox came up to me and made an offer. I honored her offer… and it’s just a work in progress,”  Tyler said in a radio interview quoted  in a Billboard.com article.

So it remains, for the time being. Keep reading for the day’s other takeaways…

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TCA Day 5: The A in ABC Stands for Awkward

Kevin Brockman and friend address the TCA. Photo courtesy of ABC

You can assume it’s  going to be an interesting day when the network you’re covering has lost its head…of entertainment programming. This kind of thing happens quite a bit. Usually lawyers get involved, as is the case ABC’s freshly ousted head of entertainment Steve McPherson.

Then there’s the question of handling the next guy, Paul Lee. Two days ago, Lee was the former head of entertainment programming for ABC Family, a.k.a. the guy who gave us “Kyle XY,” “The Secret Life of the American Teenager,” and “Pretty Little Liars.”  Now the mothership’s  programming lineup and overall reputation is in his hands.

ABC’s publicity department was quick to put the kibosh on any questions about McPherson, however. On Sunday morning publicity head Kevin Brockman came to the podium to welcome critics, accompanied a gigantic stuffed pink elephant. Talk about getting literal.  Following brief announcements, he informed the room that last Tuesday’s statement on McPherson’s departure holds, and no further questions would be answered. With that, Lee took the stage and Brockman exited, taking Dumbo with him.

Generally a move like this would result in some sort of upheaval but frankly, people like Lee. A little more about him: He also breathed new life into BBC America and did some good work at Auntie Beeb before that.  The guy seems straightforward and slightly in awe at the job that has fallen in his lap.

ABC Entertainment President Paul Lee talks to critics on Sunday.

“I think there’s a whole load of brand equity there,” Lee told critics, referring to the hits ABC has built over the past few years.

Yes, having new blood at the top can be a very good thing, unless you happen to be the producers and stars of one of the new shows premiering  during 2010-2011. None of the new dramas and comedies set to premiere in fall or midseason, including “Mr. Sunshine” starring erstwhile “Friend” Matthew Perry (who experienced a legendarily awkward moment himself) are Lee’s babies.

Lee has also proven that his love for his own discoveries does not blind him to the reality of ratings, which he cited himself when he professed his adoration for “The Middle Man,” a wonderful ABC Family series that was cancelled after one season. If he’s willing to do that with a show running on cable, where the stakes aren’t nearly as high as they are on network…well, let’s just say the new showrunners must be quaking in their boots.  The ratings and creative development of every new show will be under scrutiny, but we’re betting Lee will be closely watching the following…

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TCA Awards: Where Yo Gabba Gabba! Meets Tom Hanks

The joke about the Television Critics Association’s annual award ceremony is that if you’re a star and you receive an invitation, you’ve won.

You may not know what you’ve won, mind you, but what does it matter? It’s an open bar function with dim sum and pizza, followed by tiny desserts when the show’s over. Most attractive to the stars and producers who show up? No red carpet. The fun part for the critics is casually mingling with the people who make shows we like so much that we voted to have them here. In a sense, the TCA Awards are the small way we try to make up for the grave omissions made by Emmy and the Golden Globes each year.

But last night’s awards ceremony, the 26th in the organization’s history, was particularly special for a number of reasons.

It marked the first time that Dax Shepard hosted an awards ceremony, an honor he handled with aplomb and no shortage of nervousness — which is to say he went off script quite a few times and had the room in stitches.

It also marked the last time Damon Lindelof would appear for “Lost,” and he entertained the room by reading a number of the angry tweets he received following the finale.  For the record, it looked like Lindelof also teared up when he accepted his award; he explained that it meant a lot because TV critics were the first supporters of “Lost” and in most cases, stuck with the series through its bittersweet end.

TCA awards night happened to coincide with “Modern Family” star  Rico Rodriguez’s 12th birthday, and a room full of critics sang “Happy Birthday” to him along with the casts of “Breaking Bad,” “Glee,” and Tom Hanks, who gracefully showed up to accept an award for Outstanding Achievement in Movies, Miniseries & Specials for “The Pacific.”

In fact, Hanks even stuck around afterwards to chat with critics and take a few pictures with “Yo Gabba Gabba’s!” stars Foofa, Plex, Toodee, Muno and Brobee, who made a surprise appearance to accept their second TCA award for Outstanding Children’s programming.  Say what you will about the overall cultural impact of this organization’s small slabs of Lucite — you won’t see anything that cool at the Emmys.

Here is the full list of 2010′s TCA Award recipients, taken from the press release:

• PROGRAM OF THE YEAR: “Glee” (FOX)
• OUTSTANDING NEW PROGRAM: “Glee” (FOX)
• INDIVIDUAL ACHIEVEMENT IN COMEDY: Jane Lynch, “Glee” (FOX)
• OUTSTANDING ACHIEVEMENT IN COMEDY: “Modern Family” (ABC)
• OUTSTANDING ACHIEVEMENT IN DRAMA: TIE – “Lost” (ABC) and “Breaking
Bad” (AMC)
• INDIVIDUAL ACHIEVEMENT IN DRAMA: Julianna Margulies, “The Good Wife”
(CBS)
• OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION: “Life”
(Discovery)
• OUTSTANDING ACHIEVEMENT IN YOUTH PROGRAMMING: “Yo Gabba
Gabba” (NICK JR.)
• OUTSTANDING ACHIEVEMENT IN MOVIES, MINISERIES & SPECIALS: “The
Pacific” (HBO)
• HERITAGE AWARD: “M*A*S*H*” (CBS)
• CAREER ACHIEVEMENT: James Garner

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