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Days before FX brought casts and producers from its shows before the critics assembled at the Television Critics Association’s Summer Press Tour, there was word of a super-secret “surprise” panel that, as many correctly guessed, ended up being for “Fargo.” FX announced Monday morning that it had picked up the critically-acclaimed limited series for a second season run consisting of ten episodes, which was probably shocking to absolutely nobody.

But it was a nice to have executive producer and writer Noah Hawley, and fellow executive producer Warren Littlefield, on hand to share details about the second season. Here’s what Hawley told us: Season two will be set in 1979 and follow Keith Carradine‘s character Lou Solverson, Molly Solverson’s doting father, says Hawley.  We’ll also meet Molly’s mom, and Molly (played in season one by Allison Tolman) will be four years old.

Hawley pointed out that during season one there were a lot of references to Sioux Falls. “That is not an accident,” he said. Indeed, the action will take place in and around mostly Laverne, Minn., Sioux Falls and, naturally, Fargo. Though the crimes will be different from year to year, Hawley insists that Fargo, the locale, must always be a main character. “The word itself is so evocative,” he said. “It’s a state of mind.”

As it currently stands, nobody from the season one cast is returning. Season two will introduce an entirely new cast.

According to Hawley, the story begins with 33-year-old Lou having freshly returned from Vietnam and wrestling with living in the pre-Reagan era, in a time the writer characterizes as “the best of America versus the worst of America.” In this past era, Lou Solverson is a state police officer and his father-in-law is Laverne’s chief lawman. As for the nature of the new “true crime” to be explored in season two, Hawley hinted, “The Vietnam War came home with people, and Lou Solverson thought he’d left the war behind only to find out that it has come home with him.”

Asked if season two would have a subtitle, ala “American Horror Story: Coven,  Hawley joked, “The subtitle will be ‘Fargo: Backlash,’ and I look forward to all of your reviews.”

The earliest the next season “Fargo” will launch will be in Fall 2015. Production will return to Calgary and is scheduled to begin in January and will wrap deep in May.

FX announced two welcome if entirely predictable pick-ups on Monday morning, renewing critically-acclaimed comedy “Louie” and limited crime anthology series “Fargo” for additional seasons.

The cable network confirmed that the ten episode second chapter of “Fargo” will debut an all-new set of characters portrayed by an entirely new cast. The second season also will take place in a new time period, and will be based upon an entirely new “true crime,” with executive producer and writer Noah Hawley returning to helm. The first season of “Fargo” garnered 18 Emmy nominations, including one for Outstanding Miniseries, Outstanding Lead Actor nominations for Billy Bob Thornton and Martin Freeman, and an Outstanding Supporting Actress nomination for its female lead, newcomer Allison Tolman. The earliest the next season “Fargo” will launch will be in Fall 2015.

Louie” is returning for a fifth season consisting of only seven episodes, although FX CEO John Landgraf told critics assembled for the Television Critics Association Summer Press Tour said that it could have seven or eight episodes.  In any case, the fifth season will premiere in Spring 2015. In comparison, season four of “Louie” had 14 episodes. Then again, creator Louis C.K. took a nearly two-year break between seasons three and four.

Update: Landgraf explained to IMDbTV that “Louie’s” shorter fifth season is  FX’s way of giving Louis C.K. the creative space he needs to make an independent theatrical film he’s been developing. Plus, Landgraf added, “He’s exhausted.”

Maybe you haven’t heard, but Emmy has a tendency to nominate her favorites over and over again. When that happens, and it usually does, people who love television become apoplectic at the idea of outstanding performances going unrewarded, and brilliant seasons passing sans accolade.

This is why the TCA Awards are so satisfying. On the occasion of its 30th anniversary, shows that air on HBO, FX, AMC, CBS, Logo, ABC Family, NBC, Netflix and Fox received awards from the Television Critic Association on Saturday night.  This writer had the pleasure of handing the award for Outstanding Achievement in Drama to CBS’s “The Good Wife,” which was criminally snubbed by the Emmys.

On the other hand, Individual Achievement in Drama winner Matthew McConaughey showed up to claim his award and support “True Detective,” which also won for Outstanding Achievement in Movies, Miniseries and Specials. McConaughey is Emmy nominated and a favorite to win, as is “True Detective,” so we aren’t completely out of sync with the bigger industry award shows.

Other highlights: Logo’s “RuPaul’s Drag Race” sashayed away with the award for Outstanding Achievement in Reality Programming, while the excellent ABC Family series “The Fosters” won the award for Outstanding Achievement in Youth Programming.

Additionally, “COSMOS: A Spacetime Odyssey” received the TCA Award for Outstanding Achievement in News and Information.

You are likely to see Emmy recognizing one of these programs… never.

For 30 years, the TCA Awards ceremony has proudly rewarded TV greatness where the Globes or the Emmys have come up short. There’s no red carpet at the ceremony, but there’s an open bar – and everybody feels free to relax, since TCA only invites the winners. This time around, however, past presidents showed up to the ceremony as well as a few previous winners.  But all in all the awards show goes quickly and the host keeps the audience in stitches. This year “Brooklyn Nine-Nine’s” Terry Crews played emcee, and Miss Piggy popped in to thrill the attendees by performing a duet with him. Really, any awards show that includes a cameo by Miss Piggy is a winner in my (admittedly biased) opinion.

Below is the full list of winners 2014 TCA Award recipients. To see photos from the event, check out our gallery for The 30th Annual TCA Awards.



FX has set a date for the beginning of “Sons of Anarchy’s” long last ride.  The biker drama’s seventh and final season will premiere at 10pm Tuesday, September 9 on FX with an extended one hour and 45 minute episode.

FX also announced that new series “Anarchy Afterword,” FX’s answer to fan analysis shows in the mold of AMC’s “Talking Dead,” will debut immediately following the “Sons of Anarchy’s” season premiere. FX’s post-show will be hosted by Chris Franjola and will air live twice this season: immediately following the season premiere and immediately after the series finale.

“Sons of Anarchy”, a drama that follows the lives and exploits of an outlaw biker gang set in the fictional town of Charming, California, enjoyed its largest audience during the sixth season. Last year it averaged 7.48 million total viewers, attracting a season average of 5.11 million adults in the key 18-49 age demographic, according to Nielsen ratings.

No longer content to be known as the “Bridezillas” channel, WEtv is making a strong entry into the scripted content arena with “The Divide,” a suspenseful drama that deftly balances issues of race, class, and wrongful incarceration in modern day Philadelphia.

Anchored by a solid ensemble cast that includes Nia Long, Damon Gupton, Paul Schneider, and Marin Ireland, the eight-episode series, which premieres 9pm Wednesday on WEtv,  does not soften its approach to the complexities surrounding the personal and public politics of exonerating the wrongfully accused.

As the series opens, we see the passionate efforts of Christine Rose (Marin Ireland), a caseworker with an agency that works on behalf of the wrongfully convicted (based on the work done by The Innocence Project). Christine pushes to re-open a 12-year-old case that nearly pushed the city to the brink of racial unrest, because in her point of view, something doesn’t add up.

Considering that the case involves two white construction workers found guilty of murdering a rich African American family, leaving only their youngest child alive, many in the city would rather let the convictions stand. But the impending execution of one of the incarcerated men, Jared Bankowski (Chris Bauer), adds a level of urgency to Christine’s actions, and soon emotions are running high again

In her efforts to secure a stay of execution for Bankowski, Christine opens a number of old wounds that threaten her career and that of her boss, Clark (Schneider), not to mention her personal safety.

Christine’s actions also deeply affect the lives of a family she doesn’t even know, headed by District Attorney Adam Page (Gupton), the man who built his career on the controversial case, and his wife Billie (Long), a successful corporate attorney.

Although “The Divide” sets the table as a powerful character study, and its cast ably dives into the story’s intensity, it also cleverly hints at how interconnected these apparently disparate parts of the community are.

Written by Richard LaGravenese and co-created by Tony Goldwyn ,  who directed the two-hour series premiere, “The Divide” was originally a project under consideration for AMC before migrating to its sister channel WEtv – a fortunate turn of events for the drama. On WEtv, “The Divide” does not have to compete with any other big brand titles on the network marquee.

Now that “The Divide” is starting to get the attention of viewers, it’s a safe bet that Ireland will as well; “The Divide” represents her first lead role in a network series. We sat down with Ireland at the Television Critics Association’s Summer Press Tour to talk to her about the series.

This is your first starring role in a series, right?


You play Christine, who is an interesting character. There’s a lot of toughness in her, as well as fragility. But at the same time, a little bit of humor shines through. How does she evolve as the season moves forward?

Without giving too much away, what I’ll say is that there are some very big expectations that she has that really get dashed. She has to change her plan a few times, and I think that she’s the kind of person who is always trying to be in control of everything. … So a few things have to go wrong with that plan for her to learn. Some things have to colossally fail that only she is responsible for. Some plans that she has about her personal life have to fail before she can understand that she’s not the one who can control what’s going on with her life, either. … Her whole thing is, “I can do it. Just leave me alone and I can do it perfectly.”

There are a lot of people in this world like that.

Right? She’s also very afraid of intimacy, which is why it’s nice to me whenever we see her alone … She’s sort of this, like, kid. This is not a girl who was raised by normal parents. She was raised by wolves. So she does things that you don’t quite do if you were raised by adults who care about you. … And that’s the badge she carries out in front of her. But that’s such an immature feeling in the world. I look forward to people seeing that, over the season, things happen to her that are out of her control. And she has to learn how to deal with those things, and learn that sometimes trying to grab it tighter isn’t the solution.

How much did you know about organizations like The Innocence Project, which your character’s work is based upon?

Before I started, I only knew what I saw from Conviction, from Tony’s movie. Then, for our pilot two years ago, I watched this documentary After Innocence, and then I read the book Actual Innocence.  Then Paul and I met for a day at the Innocence Project and talked to everybody there, all the interns and all the lawyers. Then, when we went back to shoot the series, I was an intern at the Innocence Project for four to six weeks.

I was working closely with this one lawyer… who was great. I was working with him on one case in particular and a couple of smaller cases as they came up. I learned a lot about the kind of day-to-day aspects … and the thing that was really special about it is that when something amazing happens, a cheer goes up. Everybody starts cheering.

… I do remember that one of the interns, when I was getting really overwhelmed emotionally, just from reading trial transcripts about the crimes that happened, she said, “Oh yeah, in your first two weeks you gotta take a lot of walks around the block.” Because you can’t really bring it home and talk to your family and friends … It was a special place to learn about.

This is such an interesting show for WEtv. To do a show about race, class, and the growing socioeconomic divide in a large city is a really bold choice for a first scripted series.

And I think that is the most thrilling thing about this move over to WEtv. When [the pilot] was with AMC, and they were looking for something to bring WE into the world of AMC and Sundance…the great Cheryl Bloch, the VP of Scripted, she fell in love with this show. She felt it was perfect,  because they didn’t want it to feel like “Bridezillas”. They wanted it to be taken seriously. … And to be the first one, it is a big risky move that excites me, and I support that. Tony in particular was really excited because being the first has a great energy behind it, in terms of the way that we’ll be treated by the network.

It’s been a journey, from when we shot the pilot for AMC two years ago. But the cast is so strong, and we’ve all become so close as a result. And Richie and Tony are these pillars for us.

Were the any films or TV shows that you were watching that influenced your performance in “The Divide”?

Oh, there were big ones. One was The Central Park Five documentary, which was major…and again, After Innocence was huge, I re-watched that. But while I was doing the show, I binged like crazy on “Damages,” which I had never seen. When it was airing was the time when I didn’t have these bingeing capabilities that we do now…I remember watching it and saying, “This is so great, because you’ve got these strong women.”

That one is much more obviously a legal show, but there are also so many out-of-the-box ways of doing things. It also has that thriller aspect without being too over the top… so that was kind of fun.

…Also, I watched “Nurse Jackie”. I was so fascinated by thinking about… the beginning of this whole wave of television. I was watching a lot of the beginnings of shows, those big shows that started it all, “The Sopranos,” and “Six Feet Under”, I was watching a lot of those. Because, frankly, I’ve done arcs on things, but to be in on the ground level, I was having conversations with Richie and Tony about what it’s like to make something. I was reading that book Difficult Men that came out a year or two ago, about David Milch, and Matthew Weiner, and Vince Gilligan. I was interested finding out about how these things happened. And then I was dying to watch more Edie Falco, just watching how she was able to maintain such an anti-hero female character. How do you maintain that? So that was my version of on-the-job training.

ABC Sets Fall Premiere Dates

July 15th, 2014 | Posted by Melanie McFarland in Uncategorized - (0 Comments)


On Tuesday ABC revealed its fall premiere dates to reporters assembled at the 2014 Television Critics Association’s Summer Press Tour, currently underway in Los Angeles. ABC officially kicks off its 2014-2015 scripted line-up on Monday, September 22, with a sneak preview of new supernatural procedural “Forever“, starring Ioan Gruffudd as a 200-year-old doctor who cannot figure out why he can’t die. “Forever’s” officially airs Tuesdays at 10pm, a timeslot in which ABC has had problems finding success for some time now. The network is hoping that the audience for week two of “Dancing with the Stars” will sample “Forever” that Monday, and return to watch it on Tuesdays.

Among ABC’s most popular returning series, “Agents of S.H.I.E.L.D.” kicks off its second season at 9pm Tuesday, September 23, while executive producer Shonda Rhimes‘s Thursday night power block premieres Thursday, September 25 with new seasons of “Grey’s Anatomy” at 8pm and “Scandal” at 9pm, followed by the series premiere of the highly anticipated “How to Get Away with Murder“  at 10pm.

Keep reading for ABC’s full premiere schedule:

Monday, September 15

8pm “Dancing with the Stars” (Two-hour premiere)

 Monday, September, 22

10pm “Forever(Special Sneak Preview)

Tuesday, September 23

9pm “Agents of S.H.I.E.L.D.

10pm Forever(Regular Time Period Premiere)


Wednesday, September 24

8pm:  “The Middle

8:30pm: “The Goldbergs

9pm: “Modern Family

9:30pm: “Black-ish

10pm: “Nashville



Thursday, September 25

8pm “Grey’s Anatomy

9pm “Scandal

10pm “How to Get Away with Murder


Friday, September 26

8pm “Shark Tank

10pm “20/20

Sunday, September 28

8pm: “Once Upon a Time

9pm: “Resurrection

10pm: “Revenge



Monday, September 29

10pm “Castle


Tuesday, September 30


8:30pmManhattan Love Story


Friday, October 3

8pm “Last Man Standing

9pm “Shark Tank” (Regular Time Period Premiere)


Sunday, October 5

7pm “America’s Funniest Home Videos


Friday, October 10

8:30pm  “Cristela



Following the departure of its female lead, “Constantine” has cast Angélica Celaya in the role of Zed, who will be introduced after the premiere episode. Celaya has previously appeared in a number of telenovelas in addition to guest appearances on series such as “Dallas” and “Burn Notice“.

Celaya replaces “Constantine’s” former co-star Lucy Griffiths, although Griffiths and her character, Liv, will remain in the pilot. News of Griffiths’ departure broke days before NBC was scheduled to bring “Constantine’s” cast and producers to the Television Critics Association’s Summer Press Tour, currently in progress in Los Angeles.

Casting changes occurring in the months between a pilot’s official pick-up to series and its premiere are not unusual. However, it’s a little strange for a central character to be introduced in a pilot only to be written out by episode two.  Often budget constraints are the true culprit, but as “Constantine” executive producer Daniel Cerone explained, Liv did not fit the direction in which they wanted the series to go. He added that the writers felt “hamstrung” by her story, which would have made Constantine more of a guide and mentor as opposed to an independent hero. In contrast, Zed’s story is well established in the universe of Hellblazer, the DC/Vertigo comic upon which “Constantine” is based: She is an ally to John Constantine, not to mention a former lover of  who possesses psychic powers.

Hellblazer fans have long desired to see John Constantine receive a treatment that holds closer to the spirit of the comic book than the previous cinematic treatment that starred Keanu Reeves. This is a concern of which executive producer David S. Goyer seems to be aware. In his point of view, disappearing Liv after the first episode is consistent with Constantine’s existence.  “His friends drop like flies,” Goyer said. “He’s this classic noir character who often ends up alone.”

Currently “Constantine” is scheduled to premiere 10pm Friday, October 24 on NBC.

Sober up, Boardwalk Empire fans. HBO has set a premiere date for the fifth and final season of the Prohibition era drama: September 7.

According to an official network announcement, “Boardwalk’s” eight-episode swan song kicks off in 1931, in the depths of the Great Depression, with Nucky recalling his Atlantic City roots and plotting “a post-Prohibition future.” Thursday morning Timothy Van Patten received a Emmy nomination for the Outstanding Directing for a Drama Series for his work on “Boardwalk’s” season four finale, “Farewell Daddy Blues“, its sole Emmy nod in the major categories this year. The drama won a Golden Globe for Best Television Drama as well as a Best Actor Globe for Steve Buscemi in 2011, two among multiple Emmy and Globe nominations through its four-year run.

HBO also will debut a taped special presentation of Beyoncé and Jay Z‘s collaborative “On the Run” tour in September, featuring footage from the September 12 and 13 shows at Stade de France in Paris.  This is not a particularly surprising get on HBO’s part; the premium cable channel has previously aired separate specials about each of them, including the acclaimed intimate portrait Beyoncé: Life Is But a Dream.

HBO also announced November returns for its hospital comedy “Getting On” and the comeback of Lisa Kudrow‘s “The Comeback,” as well as establishing a 2015 debut for its prestige film “Bessie” starring Queen Latifah as iconic blues singer Bessie Smith. On the Cinemax front, Steven Soderbergh‘s upcoming hospital drama “The Knick,” which is set in 1900 and stars Clive Owen and Andre Holland, received a second season renewal prior to its series debut, which is scheduled for 10pm Friday, August 8.

In case you’re wondering how “The Comeback,” which was under-appreciated during its initial run, came to be resurrected, here’s the story from HBO’s president of programming Michael Lombardo.”Two men who work for me came in and said, ‘We’d love to see “The Comeback,”‘ he explained. From there, he added, they called Kudrow and her co-creator Michael Patrick King. Before you know it, Valerie Cherish was back in the limelight.

“Michael and Lisa, it’s as if they’ve been thinking about this for the last 10 years,” Lombardo added.

Thank you, Two Nameless Men. Now, perhaps you can work your voodoo on Larry David who, according to HBO execs, insists he is not done with “Curb Your Enthusiasm” but has no concrete plans to bring new episodes to television in the foreseeable future.

While we’re putting in requests, Two Nameless Men, how about getting your boss to reveal who will be starring in “True Detective‘s” second season? Sadly HBO had nothing to announce on that front today, although execs assured us that we may hear some casting news very soon.

To get live updates and coverage of the TCA Winter Press Tour, follow @IMDbTV  and @IMDbMelanie on Twitter.

How sweet, fresh meat. No, we’re not channeling Freddy Krueger; instead, think Crazy Eyes from “Orange Is the New Black”.  Thursday morning’s nominations announcement brought a welcome infusion of new contenders from Netflix’s “Orange” into the running for The 66th Primetime Emmy Awards, joining its platform sibling “House of Cards” in securing a foothold in each of the major category races.

“House of Cards” is going up against “Breaking Bad”, “Game of Thrones” ,“Mad Men” “Downton Abbey” and “True Detective” in the Outstanding Drama Series contest, while “Orange Is the New Black” received a nod for Outstanding Comedy Series, along with “The Big Bang Theory” , “Louie”, “Modern Family” , surprise nominee “Silicon Valley”  and “Veep”.

When you include “Cards” stars  Kevin Spacey and Robin Wright‘s individual Drama performance nominations, “Orange” lead Taylor Schilling‘s Best Actress in a Comedy hat tip, and the Best Comedy Actor nod for “Derek’s” Ricky Gervais , this means Netflix’s series have edged out major traditional platform contenders that mere hours ago were considered to be shoo-ins for nominations. Streaming is effectively the new cable when it comes to attracting Emmy’s attention. Notice that out of all of the nominees in Best Drama, only “Downton Abbey” airs on broadcast television.

Having said that, Netflix still has some catching up to do with traditional broadcasters in terms of overall nominations. Once again HBO tops the pack by scoring 99 nods overall, as CBS comes in second with 47 to NBC’s 46.  FX snagged 45, ABC received 37 and and PBS can boast of 34 nominations. Netflix received 31 nominations — still ahead of AMC’s 26, it must be noted, and Showtime’s 24.

“Game of Thrones” earned the most nominations of any series with 19. FX’s “Fargo pulled in 18, including a nod for Outstanding Miniseries. (A full list of Primetime Emmy nominees can be found in our Road to the Emmys section.)

The competition seems especially fierce this year in the major categories. In the Best Actor in a Drama category, Spacey must contend with the expected face-off between “True Detective’s” duo Matthew McConaughey and Woody Harrelson (although some would say that this race is McConaughey’s to lose) along with Jon Hamm for “Mad Men” (his 10th Emmy nomination), Jeff Daniels for “The Newsroom”, and Bryan Cranston for his final season run on “Breaking Bad”. Wright joins “Scandal’s” Kerry Washington in the Lead Actress in a Drama category, as well as “Downton Abbey’s” Michelle Dockery, “The Good Wife’s” Julianna Margulies, “Homeland’s” Claire Danes and “Masters of Sex” star Lizzy Caplan – a welcome addition to this race.

Rounding out the Lead Actress in a Comedy Series race are Amy Poehler for “Parks and Recreation”, Lena Dunham for “Girls” , and a trio of former winners: Edie Falco for “Nurse Jackie” , Julia Louis-Dreyfus for “Veep” and Melissa McCarthy for “Mike & Molly” . The Lead Actor in a Comedy Series category is a gallery of the usual suspects: Don Cheadle for “House of Lies” , Louis C.K. for “Louie”, Matt LeBlanc for “Episodes” , Ricky Gervais for “Derek” and multiple-Emmy winner Jim Parsons for “The Big Bang Theory”. William H. Macy  also received a nod here, his first for “Shameless” but his eighth nomination historically speaking.

However, Emmys morning would not be complete without snubs a-plenty, including the lack of a Lead Actress in a Drama nod for “Orphan Blacks” Tatiana Maslany. (Honestly, how many more clones does she have to convincingly play before Emmy takes notice?) No Lead Actor love for “Masters of Sex” star Michael Sheen, either, or James Spader for “The Blacklist“. No recognition for “Scandal’s” Bellamy Young, who made the awful First Lady Mellie Grant actually kind of likable.

No Outstanding Drama nominations for The Good Wifeafter one of its fiercest seasons, or for Showtime’s excellent Masters of Sex! Nothing for FX’s “The Americans” — nothing! And no big category comedy nods for any of the Fox comedies or its stars, particularly “The Mindy Project’sMindy Kaling or “Brooklyn Nine-Nine‘sAndy Samberg, who won the Golden Globe for Lead Comedy Actor. That said, cheers to “Brooklyn” co-star Andre Braugher for scoring a nod in the Comedy Supporting Actor category, where he’s up against Ty Burrell and Jesse Tyler Ferguson for “Modern Family” , Adam Driver for “Girls”, Tony Hale for “Veep”, and fellow dark horse Fred Armisen for “Portlandia”.

There are also interesting races brewing in categories that aren’t traditionally seen as “hot”, including the individual performances cited in the Miniseries or Movie acting categories. Miniseries and movies themselves contend in separate races. However, the actors and actresses in each of them are thrown together in big category stewpots, which can create some truly strange competition in some cases. Look at the lineup for Lead Actress in a Movie or Miniseries: Kristen Wiig is a fun surprise here thanks to her work in IFC’s  “The Spoils of Babylon”, but we also have  “American Horror Story’s”Jessica Lange and Sarah Paulson going up against  Helena Bonham Carter for Burton and Taylor , Minnie Driver for Return to Zero , and Cicely Tyson for The Trip to Bountiful. In what world does this match-up make sense, other than Emmy’s?

Then consider the tight race for Lead Actor in a Movie or Miniseries, which has Idris Elba for “Luther”, Chiwetel Ejiofor for “Dancing on the Edge” , Benedict Cumberbatch for “Sherlock: His Last Vow , Martin Freeman and Billy Bob Thornton for “Fargo” , and Mark Ruffalo for The Normal Heart . Though Thornton and Ruffalo are likely favorites here — Freeman has another chance, with his Movie/Miniseries Supporting nod for “Sherlock” — Cumberbatch and Elba could actually upset the cart, as could the longshot of the bunch, Ejiofor.

Then again, some of these contenders in odd categories are examples of Emmy gamesmanship. “American Horror Story”, which is going into its fourth season,  is a miniseries because FX says it is. Ditto for “Fargo,” if it comes back with a new cast and a new crime (which is highly likely). This brings us back to Crazy Eyes: if there is a category loaded in favor of “Orange is the New Black“, it’s the Guest Actress in a Comedy race, in which three of the show’s standout ensemble players, Uzo Aduba, Natasha Lyonne, and Laverne Cox (who is making history as Emmy’s first transgender acting nominee) received nominations. This puts them up against contenders that fit the more traditional idea of a guest star, including Melissa McCarthy and Tina Fey for their hosting turns on “Saturday Night Live ” and Joan Cusack for her work on “Shameless“.

For a complete list of the 66th Primetime Emmy Award nominees, visit our Road to the Emmys section by clicking here.

The 66th Primetime Emmy Awards telecast airs live on Monday, August 25 at 8pm ET/ 5pm PT on NBC.

On Wednesday BBC America officially announced thatOrphan Blackwill return for a third season consisting of 10 episodes. The clone thriller’s star, Tatiana Maslany, could wake up to an Emmy nomination for her multi-faceted turn in the series on Thursday morning, further cementing “Orphan’s” and BBC America’s status as a premium destination among basic cable channels.

In addition to this announcement, BBC America also set a timeframe for season two of Broadchurch: New episodes will air in early 2015, which could be advantageous for the cable channel should Fox find success with its American version, “Gracepoint.

BBCAmerica has also picked up two new series: “Tatau”, about two young Londoners who travel to the South Pacific and end up discovering that one has the gift of prophecy; and “The Last Kingdom”, which is set in the year 872 and tells the story of the Viking invasions from the perspective of the ancestral Brits.

These announcements came as part of BBC America’s panel session for Day 2 of the Television Critics Association’s Summer Press Tour, where TV journalists representing news and entertainment outlets from around the country are currently gathered to find out details about the broadcast networks’ fall schedules and upcoming late-summer programming, as well as series pick-ups, renewals and newly announced projects.

To get live updates and coverage of the TCA Winter Press Tour, follow @IMDbTV  and @IMDbMelanie on Twitter.