IMDb recaps for Fringe, Bones, FlashForward and more…

Fringe, Momentum Deferred

Fringe, Momentum Deferred

Now that the fall TV season is in full swing, it’s impossible to watch it all… even with your trusty DVRs.  Lucky for you, we have full recaps of all your favorite shows.  Here’s the line-up for last night.  But remember, they are full of spoilers!

“Fringe”: Momentum Deferred (aired 10/8)

“Grey’s Anatomy”: Tainted Obligation (aired 10/8)

“FlashForward”: 137 Sekunden (aired 10/8)

“Bones”: The Beautiful Day in the Neighborhood (aired 10/8)

“Project Runway”: A Fashionable New Beginning (aired 10/8)

“The Mentalist”: Red Badge (aired 10/8)

“CSI”: Working Stiffs (aired 10/8)

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Life’s Too Short: The CW Yanks “The Beautiful Life: TBL”

Zac Posen to model-in-waiting: "Wait...wait...never mind, show's over."

Zac Posen to model-in-waiting: "Wait...wait...never mind, show's over."

Oh Mischa Barton, we were so looking forward to seeing you on our TV screens again.  Just not in this tragedy.

The CW decided to spare us more episodes of “The Beautiful Life,” the Ashton Kutcher-produced series about models pursuing their big break. That makes “TBL” the first casualty of the 2009-2010 season, and makes me glad that I didn’t put money into an office pool.  Having seen Fox’s “Brothers,” which makes its hideous debut this evening,  I thought for sure that it would win that honor. But alas, “TBL” couldn’t even survive long enough for other U.S. viewers to make that discovery for themselves.

According to the Hollywood Reporter, Wednesday night’s “TBL” episode, its second (and last), only attracted about 1 million viewers. Now, in seasons past, low opening numbers weren’t enough to make The CW cancel a show so early on…but Kutcher has nearly 3.7 million devoted followers on Twitter. Clearly the math was never going to add up. The announced pick-up of “Fly Girls,” the reality series following Virgin Air flight attendants, and a docu-soap following the life of celebutante Tinsley Mortimer,  didn’t help “TBL’s” situation either.

Besides, the network’s higher-ups appear to be throwing their mojo behind the “Melrose Place,” which is  struggling in the ratings as well.  But as of this week, the new “MP” hooked Heather Locklear for a guest star arc that starts November 17, in the midst of sweeps.

Other late-breaking news on Friday: Vincent D’Onofrio confirms that he’s leaving “Law & Order: Criminal Intent.”

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The Day After: One Last Glance at the Emmys

Post-show photos of Emmy host Neil Patrick Harris, courtesy of Wire Image

Post-show photos of Emmy host Neil Patrick Harris, courtesy of Wire Image

Neil Patrick Harris’s Emmy conquest is now official: The overnight Nielsens indicate that the ratings were actually up over last year’s telecast. That’s significant, because the award show’s numbers have been in decline for several years now.

Barney Stinson’s alter-ego did not defeat football on NBC, which walked away with 18.5 million that night, but an estimated 14.5 million tuned in  to the 61st Primetime Emmy Awards telecast, keeping it in second place throughout the evening. (Which, truthfully, isn’t that surprising when one considers that every other broadcast network pretty much got out of its way.)

Of course, a number of viewers would never watch the Emmys — even if Angelina Jolie played host and promised numerous costume changes, all of them involving bikinis. Exhibit A:  Today’s IMDb poll. More than 46 percent of respondents did not watch. Geez, what does ol’ NPH have to do to get a witness? (Or  few million?)

It’s important to give a credit to all the people who made Harris look good, starting with executive producer Don Mischer, who along with the other producers had the good sense to reorganize the ceremony by genres.  Not only did breaking up the telecast by category help it move along more smoothly, but the order of the awards made sense for once — although it would have been nice to see the Emmy for Best Comedy revealed during that category’s turn instead of at the end of the show. You know, to toss us a bone early on.

But Harris took the spotlight to the point of making the overall repeats in all the major award categories palatable, and scored big among the critics.

Neil Patrick Harris? So. Much. Better,”  opined USA Today’s Robert Bianco.

There’s no reason that Harris should not have the Emmy hosting gig for life,” said  Chicago Tribune’s Maureen Ryan, aka The Watcher.

Let’s hope Neil Patrick Harris enjoyed hosting Sunday night’s Emmy Awards, because there’s a good chance he’s going to be asked to do it again,” said the Hollywood Reporter’s James Hibberd.

Then again, there’s always somebody who poops on the parade; to that end, here’s the account from Tom Shales.

What did you think? Did NPH nail it?

http://www.imdb.com/poll/

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Emmys: We’re (West Coast Delayed) Blogging!

Neil Patrick Harris owned it as host of the 61st Primetime Emmy Awards telecast.

Neil Patrick Harris owned it as host of the 61st Primetime Emmy Awards telecast.

Yes, live blogging is all the rage, but your IMDb bloggers are located on the West Coast… only not in L.A., where the awards were produced.  But why should that stop us from sharing our experience of seeing it for the first time?

Sure, we already know who won: We updated the IMDb homepage in real time, which means moments before host Neil Patrick Harris launching into his clever opening ditty (which flirted with Christina Hendricks and Jon Hamm within the same verse) we knew “30 Rock“  and “Mad Men” repeated their wins in the Best Comedy and Drama categories. (See the full list of winners on our Road to the Emmys award page.)  And yes, we’ve already IM’ed with our co-workers about whether Toni Collette’s upset in the Best Comedy Actress category was wonderful, or if Tina Fey was robbed. This is all so three hours ago for Eastern and Central couch potatoes, but it’s new to us. With that, here’s our reaction to CBS’s West Coast feed of the 61st Primetime Emmy Awards, in chronological order.

–Neil Patrick Harris drops the first Kanye West joke of the evening: “It’s my job to ensure things run smoothly. Here’s hoping Kanye West likes 30 Rock.”

–First award of the evening! Kristin Chenoweth shed genuine tears and adorable high-pitched peeps of joy at winning a Best Supporting Actress Emmy for her canceled ABC series “Pushing Daisies.” Her acceptance was the right combination of heartwarming and funny.  Following the usual thank yous she chirped,  “I’m unemployed now, so I’d like to be on ‘Mad Men.’ I also like ‘The Office‘ and ‘24.”  We have a feeling she won’t be out of commission for long.

–NPH introduced John Hodgman and explained that he would be doing  color commentary as the winners walked to the podium. Nice trick to inject a little more levity into the ceremony, as was the ongoing gag of citing the presenters’ least known credits, ones some of them wish we’d forget, as they took the stage. Wonder which site they used to find those gems? We don’t ask for much, NPH, but a shout-out would have been nice.

– It’s been a long time since we’ve had occasion to say this about any Emmy host so it makes us happy to say this: Neil Patrick Harris killed it.  We came to this conclusion at 8:24 p.m. PT, and there’s always a chance that things could go horribly wrong, but his lively banter and fleet timing had us in his pocket half an hour into the telecast.

Jon Cryer with his Supporting Actor Emmy for work on "Two and a Half Men." Courtesy of WireImage.com

Jon Cryer with his Supporting Actor Emmy for work on "Two and a Half Men." Courtesy of WireImage.com

– Best supporting actor went to Jon Cryer… first Emmy, fourth nomination. We’re very happy for him. Not so excited about that sweater underneath his tuxedo jacket. Ducky might have pulled it off but on Cryer, it’s an assault on the eyes.

–Lead actress in a comedy series: Love Sarah Silverman donning a mustache during Justin Timberlake’s announcement of the nominees. “That’s what hormones will do to you,” JT quipped.  Silverman, still in character, shakes her head mock angrily when Toni Collette, star of “United States of Tara,” is announced as the winner. That was an act; Mary-Louise Parker’s momentary look of someone who just upchucked a cactus was not.

–NPH followed that unintentionally hilarious moment with a forced but jovial, “Congratulations, Toni Collette, and congratulations, Jon Cryer!” He then cut to Cryer in the press room, where Cryer admitted that in that winning moment that he was thinking, “In your face, Neil Patrick Harris.” Great bit.

–Guest actress and actor in a comedy series went to Tina Fey and Justin Timberlake, each for “SNL.” Tina Fey said, in her acceptance speech, “I wouldn’t be here if not for Lorne Michaels.  Justin would still be very famous and very rich.”

–Best directing for a comedy series: The nominees’ intro segments, relating how it felt to be nominated, were inspired. Jeffrey Blitz (who, in his clip, was silenced by a glare from Rainn Wilson) walked away with the statue for directing an episode of “The Office.”

–Best actor in a comedy series: Alec Baldwin. Again.  We love him as Jack Donaghy, but really… can’t somebody else get a shot here?

–Best reality show host: Jeff Probst. Another repeat, and Probst took the words out of this writer’s mouth when he said,  “Neil Patrick Harris, this is how you host the Emmys. Nice job.”

–Best reality competition: “The Amazing Race.”  While “Project Runway” should have gotten a statue years ago, “Race” is the kind of show that’s exhilarating and uplifting in one shot, which makes it perfect award bait. Is this a sign of the Academy being in a rut? Yes. But it’s always in a rut. Don’t let the odd nominations fool you — the rut remains.  In this case, the voters could have done a lot worse.

–Best supporting actress in a miniseries or movie: Shohreh Agdashloo for “House of Saddam.” Such an elegant woman, and she delivered a beautiful, warm acceptance.  That said, somebody needs to tell her to stand back from the microphone because all that inhaling during her speech made her sound like Darth Vader.

–Best supporting actor in a miniseries or movie: Ken Howard. Yes — “The White Shadow“! “I’ll make my speech as brief as possible in the hope that it won’t be interrupted by a Congressman or a rapper.” He then preceded to thank stunt woman Jeannie Epper, who donated one of her kidneys to him years ago.

–Again, have to give it to Neil Patrick Harris — he’s making what has long been known as the most boring night on television darn entertaining.

–Best lead actor in a movie or miniseries: Brendan Gleeson in “Into the Storm.” Not the flashier choice (or else Kiefer would be taking the stage) but it was an excellent performance and a very well-deserved commendation.

–Best actress in a miniseries: Jessica Lange for “Grey Gardens.” The lady plays it straight and thanks all the right people, including Drew Barrymore who looked genuinely happy for her co-star, even though Lange’s win means Barrymore’s acceptance would go unused.

Dr. Horrible hijacks the Emmys midstream, interrupting what I’m sure was a neat, edifying speech from the accountants at Ernst & Young. Yay! And Captain Hammer (Nathan Fillion) is right there with him. Brilliant!

–Outstanding miniseries: “Little Dorrit” wins over “Generation Kill.” A big win for PBS, but we have to admit we’re a little sad for “Generation Kill” and David Simon.

–Now here’s a new way of looking at “The Big Bang Theory“: NPH called it “the best show about four geeks and a hot chick since ‘60 Minutes.’”

–Let’s just go ahead and call NPH the Billy Crystal of the Emmys.  If he’s willing to do this every year from now on, I’ll be a happy woman.

–Every year, the nominee introductions for the Outstanding Writing for a Variety, Music or  Comedy Series are usually the best part of the Emmy telecast. Our favorites: Billy Crystal singing the names  of the “Late Show with David Letterman” writing staff to the tune of “Who Could Ask For Anything More,” and Conan O’Brien’s writers displayed as Facebook friend requests – whichthe host ignored with a grin.

Jimmy Fallon’s intro, highlighted by him slipping falling and groaning “My back! My back!” through an auto-tuner — hilarious.

Hugh Jackman’s opening number beat out Andy Samberg and Justin Timberlake’s” “Motherlover” for Best Original Song. Were Samberg and JT robbed? Discuss…

–What do you do when you ask Ricky Gervais to hit the stage? Turn him loose and watch the magic happen as he introduces an award, in this case Outstanding Variety, Music or Comedy series.  “The Daily Show” wins, again.  John Hodgman’s color commentary as Stewart et al took the stage: “‘The Daily Show with John Stewart’ is celebrating its 76th year on the air . It began on Comedy Central radio as Stewart Brand Chicken Fat All-Star Fake News Half -Hour. This is their 900th Emmy, and frankly that’s too much.”

Michael Emerson’s speech for his supporting actor in a drama win was as golden as the statue he won…and although a few of us wondered if he was channeling  “Lost’s” Ben for his Emmy moment, you’d have to be heartless to question the honesty of its intent. Any excitement that Emerson’s voice might have lacked was more than made up for by Cherry Jones, who lit up the stage after him to claim her Supporting Actress in a Drama Emmy for her work in “24.”

Ellen Burstyn and Michael J. Fox, winners for best guest spots in a drama, introduce the writing and directing noms and winners. For directing, Rod Holcomb for “ER,” and for “Mad Men,” Matthew Weiner and Kater Gordon.

–Best Actress in a Drama: This is one of those categories which, as my cohort Michelle Bryant puts is, we just love everyone. But it’s fabulous to see Glenn Close take home an Emmy (again) for her chilling portrayal on “Damages,” and her gracious speech thanking her producers was top-notch.

–Best Actor in a Drama: Bryan Cranston for “Breaking Bad.” OK, as much as we are enjoying the telecast itself, it’s time to take issue with all the repeat action tonight. We were impressed with the Academy of Television Arts and Sciences voters last year from noticing Cranston’s fascinating performance in “Breaking Bad,” but Hugh Laurie has NEVER WON AN EMMY for “House.” That’s right — Hugh Laurie, one of the guys who makes network TV worth watching, Emmy-less.

–Best Comedy: Bob Newhart is probably the only guy who can take forever to introduce an award — we’ll still find him charming and adorable. During his sweet, rambling intro, he revealed that Tina Fey told him that if the show won she would plant one on him like Halle Berry did with Adrien Brody on the Oscars. If not, “I will continue to uphold the restraining order,” he joked. And yes, surprise, “30 Rock” won…but the camera pulled to a wide shot before we could see Fey make out with Newhart.

–America voted on CBS, and made Bill Compton’s meeting with Sookie Stackhouse on “True Blood” the Breakthrough Performance of the Year. Which is wonderful, because vampires will truly be walking the Earth before “True Blood” wins a Best Drama Emmy. However, we said something similar last year when someone asked us whether “Mad Men” had a chance of winning a Best Drama Emmy, and look — it just won its second consecutive award in the category. So there!

That was it for the 2009 telecast. Here’s hoping 2010 is just as funny — and that the winner’s circle isn’t another replay of 2009. Or for that matter, 2008.

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Quick Shots of False Hope: Notes from The CW. Mostly “Melrose”.

melroseNew faces, new dramas, same pool.

That could refer to Press Tour itself, since most of the conference involves around 250 electronic and print journalists being trapped in a hotel, but no.  This happened to be a CW publicist’s intro to the panel for “Melrose Place,” which is aining for as much multi-generational attention  as possible.

Executive producer Todd Slavkin expects the new “Melrose Place” to attract the teen audience The CW so deeply covets as well as their older sisters and brothers (and mothers, fathers, aunts and uncles). Reminding critics that the original has only been off the air for 10 years, that means the 15-year-olds who watched it back then are now 25 and presumably bored. “‘Melrose Place’ is a huge international franchise, that title,” he said.

People also remember the cast with no small amount of fondness, so the news that Josie Bissett and Daphne Zuniga would be back, and the producers are pitching woo to Grant Show, is promising. Doug Savant and Marcia Cross are busy with all the happenings on Wisteria Lane, so we doubt Matt Fielding and Dr.  Kimberly Shaw will return.  Courtney Thorne-Smith is still kicking around, although she may want some “me” time, having recently been set free from TV purgatory, aka “According to Jim.” But Slavkin added, “The door is always open for Heather Locklear.”

Does the same go for Andrew Shue? He seems fairly available these days.  Just sayin’.

tbl

Ashton Kutcher's younger inner self.

From “Melrose” to models: Ashton Kutcher, executive producer of “The Beautiful Life,” would like you to know that the character of fresh-off-the-farm  Chris is actually based on series supervising producer and former top male model Adam Giaudrone, not him. Although Kutcher’s road to fame began in Iowa, when an older woman saw his underaged self in a bar and told him he should be in pictures, Kutcher says his story more closely mirrors that of Raina’s, that waif you see in the picture to the left. Weird, huh? We thought so.

And, for the record, in spite of Mischa Barton’s widely reported struggles of late, “She was never unavailable for a day of work.”  What else can we call that detail but… magical?

Elsewhere on the schedule:

CW entertainment head Dawn Ostroff would not specifically tell us if this is “Smallville’s” last season, only she hopes that it’s not. Ditto for “Supernatural“: “We’re hopeful it will stay on the air for a long time.” However, just forget they ever mentioned anything about a “Gossip Girl” spinoff, which Ostroff told us was not likely to happen.

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Continuing Education and “The Vampire Diaries”…Discuss.

THE VAMPIRE DIARIES Let me be clear, this writer understands the allure of vampires in popular culture. I was fully on board for Anne Rice’s Lestat books back in their day.  “The Hunger,” “Near Dark,” “The Lost Boys,” all favorite movies.  Don’t even get me started on “Buffy the Vampire Slayer” and my “True Blood” addiction.  I have even subjected myself to ” Lost Boys: The Tribe,” something nobody in her right mind should do.

Fictional bloodsuckers and yours truly, we’re simpatico. Even so, “The Vampire Diaries” pilot didn’t do it for me…but I couldn’t quite say why until we watched the promo reel at The CW’s TCA panel this morning.  It opens with the following: The first time the innocent Elena (Nina Dobrev) lays eyes on the mysterious new “hawt-e” at Mystic Falls High, Stefan Salvatore (Paul Wesley), he’s registering in the principal’s office. The secretary tells him he doesn’t have the correct documentation to enroll. He removes his glasses, glamours her, and ding! With that he’s off to first period — and there it was, the plot device that’s been bothering me since the first time I watched the pilot (or, for that matter, read the similarly-themed “Twilight.”)

According to the story, Stefan was alive in the 1860s. Why on Earth would an immortal being who is at least 150 years old attend high school classes?

Is acing history that much of a thrill? Is he curious about the  scientific progress we’ve made since the era when people were diagnosed with the vapors and consumption?  Does he have a burning desire to become the football team’s star running back?  I don’t get it.

As Wesley explained it, “This is a rebirth. He’s been alone, isolated…All of a sudden, it’s like he can have that teenage experience and that young-adult experience…the first love that he has been lacking for hundreds of years…He’s genuinely experiencing all this with the naivete of an 18-year-old kid.”

Indeed. An 18-year-old kid who could make up a very believable story about having been home-schooled.

Obviously Stefan’s unquenchable thirst to be close to Elena is the show’s the main event…but, honestly. Have him wait in the parking lot with the rest of the truants. Text the girl and let her know that he’ll see her at the mall. Hang out at the local cafe. Meet-ups at The Bronze were good enough for Angel and a heckuva lot more believable.

Perhaps this nitpicking will be for naught. Executive producer Kevin Williamson, who appeared this morning with fellow E.P.s Julie Plec (”Kyle XY“) and Bob Levy (”Gossip Girl“) assured critics that his new show won’t be “Twilight Over Dawson’s Creek.” “We’re trying to not make it a high school show,” Williamson said. “It’s more of…a small-town show. Once we you get past the premise of, you know, girl and vampire, we start to develop the story about a town.”

That’s reassuring.

But, what do you think? Are vamps with hall passes not that big of a deal? Can “The Vampire Diaries” work at a time when “True Blood” and “Twilight” are all the rage?…In the words of dear old Linda Richman, talk amongst yourselves.

(”The Vampire Diaries” premieres at 8 p.m. Sept. 10 on The CW.)

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Quick Shots of False Hope: CBS Takes a Day

Some networks have more reason to be legitimately positive about their place in the world than others, CBS topmost among them. The Eye only has four new primetime series premiering this fall, one of them — “NCIS: Los Angeles” — that’s expected to be a slam dunk. “NCIS” is headed into its seventh season bigger than it has ever been, with summer repeats clobbering every show that goes up against them. Best of all, now that NBC is playing possum running Leno five nights a week at 10 p.m., CBS has even less competition to worry about — and it’s confident that its 10 o’clock success will only do great things for David Letterman.

President of entertainment Nina Tassler, however, captured the day by reveling in NBC’s recent ouster of former entertainment head Ben Silverman, who famously insulted her in an Esquire article. When someone asked her to comment on how Silverman’s departure affected CBS –purely in business terms, of course — she quipped, “Well, you know, I’m really just a ‘D girl,’ so…” She shoots, she scores.

Highlights from CBS’s day include:

jorjaSara Sidle (Jorja Fox) will appear in the first five episodes of “CSI: Crime Scene Investigation,” which may not be enough to repair the steep audience erosion that occurred following William Petersen’s departure last season. On that front, Tassler stated that their understanding of the problem was that fans wanted new castmember Laurence Fishburne to have more of a take-charge presence in the series. This season will feature him in more of a leadership capacity, she said, and with a better wardrobe (thank goodness). Additionally, Catherine (Marg Helgenberger) is going to grant Nick (George Eads) a promotion.

– “Let’s Make a Deal,” hosted by Wayne Brady, will be replacing “Guiding Light” in daytime beginning in October.

– “Flashpoint” has been cleared for nine more episodes, but CBS has no plans to make more after that.

Read the rest of this entry »

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TCA Quick Hits: Set visits to “NCIS: Los Angeles,” “Dollhouse”

This post was originally going to be titled “Quick Shots of False Hope,” in both homage to comedienne Laura Kightlinger’s entertaining essay collection, and in acknowledgment that even good TV news amounts to so much dust in the wind when one takes the industry’s 80 percent-plus failure rate into account. But pretty much all of what you’ll read here is good news, or at the very least interesting, so we’ll save the false hope for this week, when the broadcast networks present. Let the good times start a-rolling with…

pauley Pauley Perrette is guest starring on the second episode of “NCIS: Los Angeles,” in a cameo that executive producer Shane Brennan characterized as being “directly involved in helping us solve the case. Pauley is very excited to be joining us, and I think it’s something that the fans are going to absolutely really enjoy.”

On a side note, Brennan delivered this news from the ground floor of the “NCIS: Los Angeles” set, built to resemble an old Spanish mission but, to TV viewers, looks all too much like the courtyard on “Melrose Place.”

Brennan explained that since the original ops center was compromised (in part 2 of the “NCIS” crossover episodes)  they had to find another undercover location. So from the outside it looks like a charming piece of old California, but inside and upstairs is state-of-the-art equipment specially built for the unit (and actually, the series itself) by technology giant Lockheed Martin. This includes a gigantic touch-interactive screen that critics were allowed to play with by waving are hands across it and pretending we were in Minority Report. We discovered fake identification for one character in an upcoming episode, to be played by former “Six Feet Under” star Mathew St. Patrick.

– On the same day we visited “NCIS: LA” we headed over to the Fox lot to see Joss Whedon in the “Dollhouse.” This may be a comfort to “Dollhouse” fans: Whedon shared that when season two opens, Echo (Eliza Dushku) will be deeply impacted by Alpha downloading all of her personalities into her at once, which means she’ll actually have a persona instead of being a passive blank slate. Although lacking a personality is central to being a “doll,” that feature made it nearly impossible for viewers to connect to Echo. When I brought that up during the session, Whedon acknowledged a major correction was due.

“We will see that she has a cohesiveness and a mission that make every engagement mean a great deal more to her and she has, as Echo, her own agenda which is something she didn’t quite have,” Whedon explained, “and we did sort of build to that in Omega where she had been dumped with all the personalities and we heard her say her name. At the end this episode we are going to see how far she’s come and it’s a little further than the people around her know.”

So, I asked to establish complete clarity, even after each episode’s wipe she is going to have a distinct personality?

“We are going to see her as we know her, and then we are going to see something very different,” Whedon said. “And that is pretty much all I can say.”

tudyk–After the main session Whedon confirmed to me and a few others that Alan Tudyk would be returning for several episodes over the course of season two. Whedon said he couldn’t confirm an exact number because Tudyk does not like to be pinned down in any particular series. To wit: He has a fairly substantial role in the pilot for ABC’s midseason series “V.” Whedon also hinted that this season would head outside of the main Dollhouse to, perhaps, visit other branches. Hmm….

– While walking out a Fox publicist dashed past and told us the big “Futurama” news we hope you already know, which is that all of the original cast had signed on for its resurrection.

Up next: CBS.

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Winners Announced for the 25th Annual TCA Awards

It isn’t often that you find Betty White as well as the casts of “True Blood” and “Yo Gabba Gabba!” congregating near an open bar.

The Television Critics Association Awards ceremony, however, is a different kind of congratulatory event.  The association’s awards aren’t fancy; often, they’re not even listed in a series or a star’s list of career accolades in their public bios. But over the course of 25 years, we’ve done our part to acknowledge some truly fine programs (”Boomtown,” for example) and actors (Hugh Laurie, twice now) that the Emmys were (are?) content to over look.

It’s also one of the few awards nights in which the recipients know that they’ve won because they’ve been invited. Among the honorees who showed up last night were Jon Hamm, Vincent Kartheiser, John Slattery and executive producer Matthew Weiner of “Mad Men“; Bryan Cranston and his “Breaking Bad” family; and Alexander Skarsgard, Sam Trammell, Rutina Wesley, Nelsan Ellis and “True Blood” series creator Alan Ball.

To accept the program of the year award for “Battlestar Galactica,” co-executive producer Jane Espenson was joined onstage by Michael Hogan, Grace Park, Katee Sackhoff and Tricia Helfer.

Here is the full list of 2009 TCA Award recipients:

PROGRAM OF THE YEAR: “Battlestar Galactica” (Syfy)

OUTSTANDING NEW PROGRAM: “True Blood” (HBO)

OUTSTANDING ACHIEVEMENT IN DRAMA: “Mad Men” (AMC)

OUTSTANDING ACHIEVEMENT IN COMEDY: “The Big Bang Theory” (CBS)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION: “The Alzheimer’s Project” (HBO)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING: “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN MOVIES, MINI-SERIES & SPECIALS: “Grey Gardens” (HBO)

INDIVIDUAL ACHIEVEMENT IN COMEDY: Jim Parsons, “The Big Bang Theory” (CBS)

INDIVIDUAL ACHIEVEMENT IN DRAMA: Bryan Cranston, “Breaking Bad” (AMC)

HERITAGE AWARD: “ER” (NBC)

CAREER ACHIEVEMENT: Betty White

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E!: Living “The Lamas Life”

When, in the history of entertainment, have you heard of anyone switching on an E! reality show, taking a deep cleansing breath and saying out loud, “Let the healing begin”?

Take your time, we’ll wait.

…Anyway, executive producer Mike Fleiss and Lorenzo Lamas plan to explore the therapeutic powers of  reality television on “The Lamas Life,” which succeeded in what was heretofore thought impossible: Bringing the elder Lamas into the same general space as estranged son A.J., who made recent tabloid headlines with the supposed “revelation” that A.J.’s alleged affair with his father’s fourth ex-wife Shauna Sand caused the end of their marriage.

“There’s only one way to get a family back together,” Fleiss joked to critics on Thursday, “and that’s on television. That’s what the E! channel is all about, really, when you think about it.”

Lorenzo Lamas was joined onstage by his his ex-wife Michelle Smith, son A.J. and daughter Dakota; and his more famous daughter Shayne Lamas, who won the heart of past “Bachelor” Matt Grant. (Ultimately — surprise, surprise — happily ever after was not to be.)

When someone asked Lamas to characterize his relationship with his son, his answer was, “strained,” adding that before E! came calling it had been years since father and son were in the same room. Filming “The Lamas Life” has changed all that.

“The fact of the matter is that I’ve seen more of A.J. in the last two weeks than I have in three years,” Lamas said, adding that he looked at the E! show as an opportunity to grow closer to his kids.

A.J., oddly, agreed. “You know what? Honestly, if it takes a TV show for me and this guy to come back together, then so be it.”

That’s all fine and good, but will Lorenzo use a laser pointer to highlight his children’s flaws when they misbehave? I suppose you’ll have to tune in this October to find out.

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